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By Tsitsi Ella Jaji

Africa in Stereo analyzes how Africans have engaged with African American tune and its representations within the lengthy 20th century (1890-2011) to supply a brand new cultural heritage testifying to pan-Africanism's ongoing and open theoretical power. Tsitsi Jaji argues that African American renowned song appealed to continental Africans as a unit of cultural status, a website of delight, and most significantly, an expressive shape already encoded with options of artistic resistance to racial hegemony. Ghana, Senegal and South Africa are regarded as 3 unique websites the place longstanding pan-African political and cultural affiliations gave expression to transnational black harmony. The publication exhibits how such transnational ties fostered what Jaji phrases "stereomodernism." getting to the specificity of varied media wherein track used to be transmitted and interpreted-poetry, novels, motion pictures, recordings, gala's, dwell performances and websites-stereomodernism debts for the function of cultural perform within the emergence of team spirit, tapping music's skill to refresh our figuring out of twentieth-century black transnational ties.

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Africa in Stereo: Modernism, Music, and Pan-African Solidarity by Tsitsi Ella Jaji


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